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"It is very good of you to say that," says Nolly, meekly but gratefully. "It gives me great support. You honestly believe, then, that I may escape?" She doesn't want in the very least to know who he is, but thinks it her duty to say something, as the silence being protracted grows embarrassing. "I am not so sure of that," says Mona, with admirable tact and an exquisite smile, "but I shouldn't mind spending an hour with you.".

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"He is not my enemy. My dear boy, spare me a three-act drama. What has the man done, beyond wearing a few gaudy rings, and some oppressive neckties, that you should hate him as you do? It is unreasonable. And, besides, he is in all probability your cousin. Parkins and Slow declare they can find no flaw in the certificate of his birth; and—is not every man at liberty to claim his own?" "And now a last word, Mona. When you come down to dinner to-night (and take care you are a little late), be gay, merry, wild with spirits, anything but depressed, whatever it may cost you. And if in the drawing-room, later on, Lady Rodney should chance to drop her handkerchief, or that eternal knitting, do not stoop to pick it up. If her spectacles are on a distant table, forget to see them. A nature such as hers could not understand a nature such as yours. The more anxious you may seem to please, the more determined she will be not to be pleased." It has an octagon chamber of the most uncomfortable description, but no doubt artistic, and above all praise, according to some lights. To outsiders it presents a curious appearance, and might by the unlearned be regarded as a jumble of all ages, a make-up of objectionable bits from different centuries; but to Lady Lilias and her sympathizers it is simply perfection. "It is like a fairy-tale," says Violet, with unwonted excitement. "Oh, Mona, tell us how you managed it.".